Introductory Blog
Where I'm From
I am from Supap and Larry,
named “Janet Marie” by my father, my mother not
knowing what she might name a white child.
I am from a house in Bangkok,
where the gardener trims the lawn with scissors,
and maids marry their white employers;
From a little white house in Annapolis,
where my mom and I learn English by watching
The Flintstones, and I swing on a swing-set
with neighbors who look like me;
From a tenth-floor apartment in San Jaun,
where I ride my red car back and forth on
a four-by-eight foot patio, learning my ABC’s
and “hola,” “gracias,” “no hablo”;
From a townhouse in Taipei, where I get on a blue
school bus and get lost in school, “ni hao”
not enough to get me back to my classroom;
From a series of middle-class homes from Massachusetts
to Colorado, never resting,
From mostly clinging to my mother,
hiding behind her whenever anyone
says, “What a sweet little girl.”
I am from mayonnaise sandwiches and
balls of sticky rice with larb.
I am from Buddhism and Atheism,
Water Festivals at the temple, tears
because my mother is not close enough
to home to feed her mother’s ghost,
and my father’s voice, “There’s no such
thing as ghosts.”
I am from moving, moving,
Until now
half-way between Bennet and Palmyra,
claiming neither, always driving,
still living in-between.
When I was a GTA in English at Oklahoma State in 1998, the Director of Composition decided to move the focus of Composition I to one based on place. At the time, I was quite angry about this emphasis. I had never lived anywhere long enough to actually feel connected to a place, and the last thing I wanted to do was read hundreds of essays about Oklahoma. Pregnant with my first child, I had been thinking it might be better to have a job than to be a student, so I left before the change took place.
Thirteen years later, I'm ready to think about place.
I'm afraid I was taking "writing about place" a little too literally. I also hadn't thought about the fact that it might have been just as interesting to write about non-place and alienation from place. As I read Brooke and McIntosh, Lyon, and Pipher this week, I started thinking about how I could incorporate these place-based assignments into my classes. As I wrote my own "I Am From" poem, I realized the value of such an exercise and how writing such poems can be a meaningful experience for my own students.
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| Khon Kaen, Thailand, my mother's home |
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| J.O., me, and horse next door |
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| Supap and Larry, my parents |
I hate the question, "Where are you from?" I don't know. After Taiwan, we moved to Massachusetts, then Arizona, back to Massachusetts and then to Colorado. For college, I went to Minnesota, then back to Colorado. For grad school, I randomly went to Alabama and met my husband, someone so rooted in place that he thought living an hour and a half away from his hometown was not good enough. Despite his deepest wish to live in his hometown again, we have lived in Nebraska, Kansas, Oklahoma, and now Nebraska again. Three and a half hours from home will have to do for him.
My early memories are of clinging to my mother or father to protect me from the places we lived in or visited. In Bangkok one day, there was such a powerful rainstorm that all of the bugs started crawling out of the sewers, so many that the streets became rivers of roaches and centipedes. Under an awning, I crawled to the top of my father's shoulders, as he flicked a bug off my leg. In our American houses, my mother would casually tell me about the ghosts that lived in each of our houses. In our house in Northboro, Massachusetts, my mother told me that the ghosts there had told her we could live there, but that we should keep the noise down. I could not bear to go to sleep in that house. I would sneak downstairs and hide on the steps near my parents until they were ready to go to bed.
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| Northern Thai Cuisine |
I felt most at home at school, but I have little memory of the physical places. I loved reading, writing, and listening to the teachers' voices. I have been teaching since I was twenty-one, and it seems that each office space I've had has gotten progressively worse--from an enclosed office with a window to a cubicle with the only window in the room bricked over and painted white. As my college gets ready to build its new addition, we are all grumbling that our new offices will be cubicles in the basement, no windows, no light. But I am here for the students' voices. Most of the time, I forget that I live in a grey cubicle world.
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| Work Space |
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| Under Construction |
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| Bennet/Palmyra Bus |
We live in what many might consider a dream house, with a view of a small lake and fishing privileges to that lake. The neighborhood is small enough that we know each neighbor, and the children play outside, catching bugs, riding bikes freely, and exploring through the weeds.
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| Youngest child on freshly mowed trail |
When my oldest was in a talent show, and he was asked by the MC where he was from, he answered, "Outside of Bennet a little bit.. between Bennet and...uhh," and the MC laughed, "Poor, poor boy, he doesn't even know where he lives." The audience laughed, but I realized that he had no more claimed our hometown address than I had.
But for our younger children, between Bennet and Palmyra is home, and no matter where we go, our third child proclaims that home is better. After a vacation to Colorado, he said, "Home is better than that field trip we were just on." At seven, he tells me that he will always live with me in our house--until I die. Then he will be the one to bury me. "Where would you like to be buried?" he asked me in all sincerity.
I still don't know the answer.










I'm really interested in the idea of being protected from place, that it's not always the warm and fuzzy that we often attach to it. Place isn't always neutral, for all that I like to think that it is, its meaning based on what we bring to it. But as the hurricane hits the East Coast this weekend, after the earthquake, and as I'm reading Brian Fagan's "The Little Ice Age," place definitely isn't always kind--but it definitely affects how we live on it.
ReplyDeleteI also find myself wondering about your mother and her stories of ghosts. She seems like she wasn't afraid of them, that they were just there (if she knew something you didn't and wasn't purposefully trying to scare you). I've always been fascinated by the idea of ghosts, lingering spirits of a place. They always seem to be confined to one space--Gettysburg, houses, etc. I don't believe in ghosts, but I don't not believe in them either.
I, too, found the idea of ghosts fascinating in your blog post. My mother believes in ghosts and has claimed encounters, of some sort, with ghosts. Karen, in her response, makes a great point when she says that she neither believes nor disbelieves in ghosts. Impossible to prove, the experience that some people have is visceral. And even if we take ghosts as a metaphor, the power of what that represents can certainly be haunting. It seems important to realize that we are not the first person to step foot anywhere at this point in time. As you mentioned moving around quite a bit, something I can relate to, having a connection to whatever ghosts might exist could be important. Yet the unfamiliarity scares us.
ReplyDeleteInteresting stuff. Thanks for sharing!
Yes, thank you so much for sharing-- your "I am from" poem is a wonderful glimpse into your experiences as you moved around the world. Like our peers here, I am intrigued by the ghosts in your stories mostly because I like and am creeped out by them at the same time. If ghosts are present in our spaces, then they have stories to tell and what a wonderful thing that would be to know. On the other hand, I'd probably be hiding under the stairs too.
ReplyDeleteLike you, I've spent much of my life moving and shuffling around, and I struggle to feel like I have a "home" space. I find home to be about the people more than the place, like your family in Virginia. Looking forward to reading more, Kelly
Janet,
ReplyDeleteFirstly, I must say, though it's not entirely the point, I loved you photographs. You have some lovely images that help draw me into your past and your present, and are just beautiful, to boot!
I am very interested in your sense of place-less-ness. As some one who has lived a few places, but always called one state home, I have always been interested by the experiences of those who did not have such place-based consistency in their lives. A friend I recently made, was a "military brat" and spent her entire life living all over the world; we were able to have hours of conversations just trying to understand one another's very different lives. I really hope you explore your sense of "place-less-ness" more (if you want to call it that). As you said, I think the lack of place is easily as fertile ground for writing as a sense of place is. I genuinely look forward to hearing more about your experiences!
-Nicole Green
Much like Karen, I am interested in the idea of being protected from place. It's almost like your parents became your only sense of place, like maybe your sense of place existed in a traveling space between you and your parents. Or maybe I'm just crazy. I find it interesting also that you are attempting to create a more traditional sense of home for your children.
ReplyDeleteI also agree with Nicole. The photos are incredible and really add to the message.